We live in a strange time. With the internet exploding in
exponential chaos, we find almost all aspects of our lives are
splintering to take new shapes and forms because of this
hyper-connectivity. The music industry-and the artists creating within
it-finds itself in a place of constant change. Finding target
demographics is now a breeze with the multitudes of analytic software
available. Music has changed from primarily physical product to almost
completely digital. Traditional marketing has turned to social media
marketing and branding for guidance.
Showing posts with label Music Industry. Show all posts
Showing posts with label Music Industry. Show all posts
How to Make Bass Guitar and Bass Drum Cut Through the Mix
TECHNIQUE 1: COMPRESSION AND GATING.
For bass, you can really
squeeze the signal and still have the audio sound good and healthy. With
a lot of compression you may bring up the level of unwanted noise at
the parts the bass isn't playing, so remember to edit those parts out or
use a gate to silence them.
For the kick drum, especially with a
live recorded drumset, you can really tighten it up with a gate. Try
setting the ratio to 100:1, having a pretty short attack time and have a
200 millisecond release time. (It varies per song.) It's important to
blend this once long decaying kick drum into the overhead mic(s) to have
a natural drum sound and not to make the drums sound too gated and
dead. After using a gate on my bass drum I usually don't apply
compression but if you want, throw on a compressor and use a slow attack
time and fast release, and then visa versa, see which one makes your
particular kick drum sound punchier and cut through the mix more.
Subscribe to:
Posts (Atom)